There really were Two and a Half Men

Turns out that show really did have Two and a Half Men. As much as I dislike the little pudgy kid who just kept getting pudgier over the years, it’s Charlie Sheen who turned out to be a half a man in the end. His recent comments on Alex Jones show got the entire show production stopped, and immediately. Here’s more information: Continue reading “There really were Two and a Half Men”

Greg Giraldo – RIP, you funny bastard

If you followed the news, Greg Giraldo overdosed last weekend, and has been in a New Jersey hospital since then. Earlier today, a tweet from Jim Norton informed us that Greg has died. Not a joke, not another black humour stab, this one was sadly for real. It immediately got confirmed, and the condolences have been pouring in. Who is Greg Giraldo? He’s a comedian you wish you saw live, on stage. Continue reading “Greg Giraldo – RIP, you funny bastard”

2010 Emmy Award Winners – Mad, Modern, Gleeful

Here’s an incomplete list of Sunday night winners of the 62nd Emmy Awards. A lot of new shows got the prize, a lot of regulars/favorites are walking away empty-handed. The time is right for new kids to get the spotlight – Glee, Mad Men (ok, they have been noticed before), Breaking Bad, The Pacific, The Good Wife, Modern Family. All fresh ideas, all deserving the statue. Looking forward to the new seasons of these fantastic shows. You should check them out.

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Bunny and the Bull (2009) – a low-budget gem from TIFF09

This quiet little gem of a movie came out of nowhere last year at Toronto Film Fest, and we really hoped it would pick up. Sadly, almost a year later, it’s gone through a handful of European film fests, and disappeared. Too bad. Bunny and the Bull really deserves to be watched, in small groups of friends, or family – because it’s about true friendship. It’s about understanding and accepting each other no matter how freakishly odd you may be. It’s about compromising and going left, just because a friend thinks it’s the way to go – even as your whole entity wants to turn right. It’s about the little sacrifices we make for friends (or in the name of friendship) every day. This is what ‘bromance’ should be – mature, respectful, solid and at times – tender.

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The Losers (2010) – in your face, over the top

As long as there are comic books that haven’t been adapted (or adapted successfully) to big screen, we’ll be regularly¬† assaulted with over-the-top, self-aware, tongue-in-cheek, archetypal, good vs. evil, paper-thin stories. Most of comic book culture revolves around fallen heroes, and every once in a while a movie is made that perfectly translates that comic book tone into a film. Everything is life or death, everyone has a specific role, nothing is as it seems and almost nothing has any consequence or logic. On a rare occasion, an action film can successfully subvert tired cliches. The Loses manages to do that, keep a straight face with its characterization, and still look good in the process. It’s just fun to watch.

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Greatest 9,331 movies of all times

For the past 9 years (yes, it’s nine, not a typo), Brad Bourland, 58, of Austin, Texas has been rating/reviewing movies. He’s got 9,331 so far, and wants his site readers/visitors to help him complete it to a nice, round 10k. Obsession, hobby, or just another slick marketing ploy? Visit his site, read up on the … hobby

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Hot Tub Time Machine (2010)

First of all, kudos to the marketing campaign. This film heavily relies on word of mouth, we got a free screening (packed room, hardly any press, just people who got invites from eventful.com website). The screening was fun, we howled, took home t-shirts, and promised to tell others about it.¬† The movie is so much more than its title suggests. In fact, one of the many buddy-comedy cliches it breaks (and yes, it is a buddy comedy, elevated to a new level), is its silly title. When one of the characters exclaims (in an attempt to awkwardly explain the title/concept and give 5-second exposition): “this must be some kind of … hot … tub … time … machine”, he does so looking straight at the camera, breaking the fourth wall, and addressing the audience. “Get it? Get it? We’re all in on the joke here”.

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