Here’s a great infographic for Inception that actually manages to explain the movie’s multiple layers. It does so visually, and with a geometrically impossible object – which is the in-joke, of course. The film spends so much time establishing the rules of its universe, as it begins to observe some characters break those rules, the point of following them seems kinda … moot. And yet, with all the underused elements in it, and the obligatory shoot-out in act 3 – I still strongly recommend you watch it. Why?
For the past 9 years (yes, it’s nine, not a typo), Brad Bourland, 58, of Austin, Texas has been rating/reviewing movies. He’s got 9,331 so far, and wants his site readers/visitors to help him complete it to a nice, round 10k. Obsession, hobby, or just another slick marketing ploy? Visit his site, read up on the … hobby
Tim Burton has done it again – a visual marvel of a film, a pretty close adaptation of a timeless classic book, great performances (although a little too heavy on screen time for Depp and Bonham Carter), and a lovely, rebellious Alice. What more do you need to know in order to run into theaters? It’s in 3D, which actually works.
Continue reading “Alice in Wonderland (2010)”
First of all, kudos to the marketing campaign. This film heavily relies on word of mouth, we got a free screening (packed room, hardly any press, just people who got invites from eventful.com website). The screening was fun, we howled, took home t-shirts, and promised to tell others about it. The movie is so much more than its title suggests. In fact, one of the many buddy-comedy cliches it breaks (and yes, it is a buddy comedy, elevated to a new level), is its silly title. When one of the characters exclaims (in an attempt to awkwardly explain the title/concept and give 5-second exposition): “this must be some kind of … hot … tub … time … machine”, he does so looking straight at the camera, breaking the fourth wall, and addressing the audience. “Get it? Get it? We’re all in on the joke here”.
Can you believe it’s been so long? 30 years ago William Shatner was the coolest cat around. He can still show us a glimpse of that brilliance on Boston Legal. Enjoy this little trip back in time.
Continue reading “30 years ago – Shatner Rocketman”
Transformers came out on DVD a few weeks ago, and I was reminded that this past summer, this movie fell through the cracks, and the review was never posted. Here’s the movie review, a little brief, but better late than never. Given all the marketing and ego-power that went into this project (Michael Bay, Steven Spielberg) this could easily have been a really big disappointed. Instead, Transformers turned out to be a better movie than our depressed expectations, and a good blockbuster to fill a summer weekend. Of course, now that we’re nearing the holiday season, and the film is out of theaters, perhaps it will make a good gift.
Continue reading “Transformers (2007)”
Somehow Darren Aronofsky has become the next big hit in Hollywood. Along with JJ Abrams (his status I just have to question, after MI3) and Christopher Nolan (ok, this guy knows what he’s doing) Darren is hailed as this decade’s Tarantino. Now I understand that a formulaic, stagnant world of Hollywood needs a regular shake, a revolution. So when a new kid on the block directs something unusual, he’s naturally going to be labeled as the next big thing. But I just didn’t get why Darren is such an outstanding director. I could see his unique way of writing (his earlier hits, Pi and Requiem for a Dream were also written by him), but as a filmmaker, a genius behind the camera – I didn’t get it. Until The Fountain, of course. While Pi was a bit unusual throughout, Requiem for a Dream had a weird plot and soundtrack, but not direction. It was good, but not excellent. Compelling but not exceptional. With The Fountain, I think Darren has reached a new level of storytelling – a unique plot, amazing score and focused, concise visual mastery of the story. This is a simple, straightforward movie told in a fantastic and memorable way.
Continue reading “The Fountain (2006)”